Nature morte sous la lampe [Nature morte à la suspension]
(Bloch 1102; Baer 1313)

Twenty linoleum cuts, printed in colors, 1962, comprising a signed proof of the final state and the most complete exisiting sequence of progressive proofs, including unique impressions of the yellow, green, red, blue and black, and with two unique and unrecorded superpositions; all but the final, signed state are dated and with annotations by the printer, Arnèra.
Click on image to view enlargement